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・ Kırklareli Science High School
・ Kırklareli University
・ Kırklarelispor
・ Kırkpınar
・ Kırkpınar, Bayburt
・ Kırkpınar, Emirdağ
・ Kırkpınar, Korkuteli
・ Kırksakallar, Çine
・ Kırköy, Kızılcahamam
・ Kırköy, Posof
・ Kęstutis Kėvalas
・ Kęstutis Lapinskas
・ Kęstutis Latoža
・ Kęstutis Lupeikis
・ Kęstutis Marčiulionis
Kęstutis Nakas
・ Kęstutis Navickas
・ Kęstutis Rimkus
・ Kęstutis Ruzgys
・ Kęstutis Smirnovas
・ Kęstutis Stoškus
・ Kęstutis Šapka
・ Kęstutis Šeštokas
・ Kęsy-Pańki
・ Kęsy-Wypychy
・ Kęsza
・ Kęszyca
・ Kęszyca Leśna
・ Kęszyca-Kolonia
・ Kęszyce, Opole Voivodeship


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Kęstutis Nakas : ウィキペディア英語版
Kęstutis Nakas

Kęstutis Nakas is an American playwright, author, performer, director, and teacher whose work has been presented at the New York Shakespeare Festival, Yale Repertory Theatre, La Mama, Dixon Place, P.S. 122, St. Mark’s Church in the Bowery, 8 BC, The Kitchen, Highways, and numerous other national venues.
==Biography==
Nakas was born in 1953 in the U.S. to Lithuanian emigrants. He was named after Kęstutis, a 14th-century monarch of Lithuania, a heritage which he describes as "...no joke. It's hard work. Like being an emotional verbose gesticulating Italian and a sullen depressed Scandinavian at the same time."〔(One Lithuanian guy ) short prose by ''Kęstutis Nakas' in Lituanus
Nakas was active in New York’s East Village performance scene and was Artistic Director of Gates of Dawn, which showcased cutting edge performers such as Holly Hughes. He has taught at New York University, UCLA, CUNY, and the University of New Mexico.
Nakas received his B.A. from Michigan State University's experimental Justin Morrill College and a M.F.A. from New York University.
His best-known piece is the 4-part historical comic farce ''When Lithuania Ruled the World''. Parts I through III of the series combining Lithuanian history and mythology were produced in New York City in the 1980s and 1990s; Part IV was produced in Chicago in 2003.
According to ''The New York Times'' review of this play, "Mr. Nakas is a very clever subverter of all versions of history...Experiencing this dizzying spectacle is certainly different and quite exhilarating, perhaps like seeing all the operas of Wagner and Mussorgsky jammed together and staged in Grand Central Terminal at rush hour." 〔(New York Times review of ''When Lithuania Ruled the World'' )〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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